Geometric Patterns and the Art of Kundekari in Traditional Turkish Woodworking (E. Parametric Kerf Bending: Manufacturing Double Curvature Surfaces for Wooden Furniture Design (Mara Capone, Emanuela Lanzara).Pages 415-439ĭigital Joinery for Hybrid Carpentry (Shiran Magrisso, Amit Zoran).Pages 441-461 Learning by Prototyping: Wood Design Course Experience (Mariano Chernicoff).Pages 395-413
The Teatro of Bologna as a Transformable Space: Drawing, Geometry and Invention in the Study of the Wooden Model of the Theater by Antonio Galli Bibiena (Giuseppe Amoruso).Pages 375-394 Representing with Wood: Carlo Lucangeli and the Model of the Flavian Amphitheatre (Graziano Mario Valenti, Cinzia Conti, Jessica Romor).Pages 343-373 The Wooden Models of the Vatican Basilica by Antonio da Sangallo and Michelangelo: Survey, Modelling and Interpretation (Carlo Bianchini, Alfonso Ippolito, Luca J. Wood as an Essential Material in Architectural and Civil Engineering Models from the Renaissance to the Architectural Avant-Garde (José Antonio Franco Taboada).Pages 285-320 Reinterpretation of Traditional Wood Structures with Digital Design and Fabrication Technologies (Philip F. Reciprocal Implications Between Design and Construction Process of Timber Gridshell (Sergio Pone, Daniele Lancia, Davide Rando).Pages 251-264 Applying Principles of Mass Customization While Designing Site-Specific, Customer-Inclusive and Bespoke Timber Structures (John Haddal Mork, Marcin Luczkowski, Bendik Manum, Anders Rønnquist).Pages 221-249 Lattice Shell Methodologies: Material Values, Digital Parameters (Mark Cabrinha, Dante Testolini, Ben Korman).Pages 195-220 Negotiated Materialization: Design Approaches Integrating Wood Heterogeneity Through Advanced Robotic Fabrication (Giulio Brugnaro, Angelo Figliola, Alexandre Dubor).Pages 135-158Īdvanced Timber Concepts and the Design of Furniture and Structures (Patrick Beale, Tristan Morgan).Pages 159-194 New Workflows for Digital Timber (Tom Svilans, Martin Tamke, Mette Ramsgaard Thomsen, Jonas Runberger, Kai Strehlke, Martin Antemann).Pages 93-134 WOOD, CAD AND AI: Digital Modelling as Place of Convergence of Natural and Artificial Intelligent to Design Timber Architecture (Fabio Bianconi, Marco Filippucci).Pages 3-60īeyond Form Definition: Material Informed Digital Fabrication in Timber Construction (David Correa, Oliver David Krieg, AnnaLisa Meyboom).Pages 61-92 JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2019), 3(3), 39-50. In conclusion, this study proposes that, in terms of function, types are virtually identical to cultural schemas at the cognitive level, and types and precedents have a generative value for architectural design, by virtue of the fact that they exist as the initial cognitive schemas that are employed at the beginning of the design process. Building on that attempt, the study endeavors to conduct an interdisciplinary theoretical inquiry that respectively studies the role of prior knowledge in design cognition, the concept of cognitive-cultural schemas, the concept of type and its relationship with cultural schemas, and finally, the cognitive role of types and precedents in architectural design and education. This paper examines this correlation between cultural schemas, a markedly cognitive concept, and types, an architectural one, culminating in an investigation of the cognitive role of types and precedents within architectural design and education in the light of the cognitive literature. Although significant efforts were made in the way of studying the use of prior knowledge in design, the correlation of types and cultural schemas has yet to be explored. Prior knowledge is thought to be held by way of specific cognitive structures that are called cognitive schemas and, the role of our cognitive schemas (be it personal or cultural schemas) is portrayed as indispensable for the formation of our creative productions. Previous research on design cognition shows that the amount of prior knowledge possessed by the designer plays a fundamental role in the production and quality of the creative outcome. This paper examines the cognitive use of prior knowledge in design and evaluates the role of types and precedents in architectural design and education from a cognitive perspective. The Cognitive Use of Prior Knowledge in Design Cognition: The Role of Types and Precedents in Architectural Design
0 kommentar(er)
